REVIEWS AND PUBLICATIONS
• Claudia Cruz, “Imaginando un Mundo Mejor”, El Correo de Queens, page 16, April 17, 2009.
• Larry Walczak, “Walking Williamsburg”, NY ARTS Magazine, Vol. 13 No. 11/12, 2008.
• James Kalm, “ARTWALKING: Bedford Avenue”, YouTube, May 19, 2008.
• Sergio Guarin, “Finding yourself in (the middle of) art”, Greenpoint-Williamsburg Gazette, May 5, 2008.
• Greg Hanlon, “Borobeat: 'Artwalking' on Bedford Avenue”, Williamsburg Courier, May 2, 2008.
• Judith A. Hoffberg, “Clothespin Tarot”, Umbrella Online, ARTIST BOOK REVIEWS, volume 30, no.2, June 2007.
• Janet M. Golias, “PLAYabout”, Islip Art Museum, East Islip, New York, July 2007.
• Catya Plate, “Clothespin Tarot”, Artist Book (limited edition of 50), 86 pages, 79 color illustrations, deck of cards (ISBN-13: 978-0-9795015-0-0), New York, May 2007.
• Carl MacGowan, “For adults, a different way of seeing”, New York Newsday, Arts & Entertainment, April 24, 2005.
• Michael Rehak, “Seeing Art Through The Eyes Of A Child”, Queens Tribune, April 14, 2005.
• I.S.-W., “Blick in die Innenwelt des Menschen”, Schweizer Illustrierte, Die Besten- Das Schweizer Kultur-Magazin, November 2004.
• Suzanne Kappeler, “Skulptur und Zeichnung im Dialog: Galerien am Zürichberg”, Neue Zürcher Zeitung, November 3, 2004.
• Amanda Gordon, The New York Sun, Calendar, “Drawings-Between the Lines”, page 12, July 8, 2004.
• Gabriel Halevi, “Percepción Extra Sensorial”, Barcelona, June 7, 2004.
• Mary Thomas, “At Fe Gallery, lust makes attractive exhibit”, Pittsburgh Post-Gazette, Art Review, December 6, 2003.
• “The Affordable Art Fair”, Exhibition Catalog, October 2003.
• Ken Johnson, “Five Solo Shows”, The New York Times, Art in Review, July 18, 2003.
• Lorne Colón, “Drawing Life Where There Is None”, The Villager, July 2-8, 2003.
• Lorne Colón, “Drawing Life Where There Is None”, Downtown Express, July 1-7, 2003.
• MeryLynn McCorkle, “Travelogue 21 (San Bernardino, CA)”, NY ARTS, Vol. 8 no. 6-8, June 2003.
• MeryLynn McCorkle, “Travelogue 21 (San Bernardino, CA)”, Zero Degrees Art (www.zerodegreesart.com), May 1, 2003.
• Frances Chavez, “New Art Exhibit Pleasing To Senses”, Coyote Chronicle, Arts & Entertainment, April 21, 2003.
• Hannah Higgins, “Intermedial Perception or Fluxing Across the Sensory”, Convergence 2002, Volume 8, Number 4, p. 74, 2002.
• David B. Boyce, “Exhibits of prints downtown complement each other”, The Standard Times, page C4, August 18, 2002.
•Mike Giuliano, “Art Crawl”, Baltimore City Paper, Art Review, Vol.28 No.28, July 10-16, 2002.
• Mike Giuliano, “Critic’s Choice”, Baltimore Weekly, Vol.26 No.26, June 26-July 3, 2002.
• Peter Frank, “Picks of the Week: Dermatome”, LA WEEKLY, Art Review, Vol.24, No.12, February 8-14, 2002.
• “FRERE, New York Independent Art Fair”, Exhibition Catalog, November 2000.
• Gary Axelbank, “Bronxtalk: Bronx Asthma Symposium and Arthsma 2000”, Bronxnet TV, September 11, 2000.
• Andrea Delbanco, “Capturing A Killer: Artists’ Visions On Asthma”, The New York Times, The City, p.12, September 24, 2000.
• Dany Nobus, “POOR TRAITS OF THE SELF, Some Remarks on ‘Imaging the Wunderboard’”, Centre for Freudian Analysis and Research, June 22, 2000.
• Steve Rockwell, “dARTLES…”, dART INTERNATIONAL, pages 7- 10, volume 3, number 1, winter 2000.
• “Opening Reception of NURTUREart at the Hungarian Consulate”, HATV (Hungarian American Television), October 2, 1999.
• MaryEllen O’Brien, “The Ars Moriendi Tradition: A Hermeneutic of the Art of Holy Dying in History and Contemporary Practice”, Thesis submitted to the Faculty of The Catholic Theological Union at Chicago, chapter 5, pages 130-150, 9 color plates, May 1999.
• Todd Aven, “No Non-Sense Will Be Tolerated!”, Night, number 42, 1999.
• Paul Lombardi, “The Limelight”, NY1 News, January 18, 1999.
• Molly Knight/Renatt Brodsky,“What’s Hot New York”, DNR, page 9-January 13, 1999.
• “Texas National ‘98”, Exhibition Catalog, SFA Gallery, Stephen F. Austin State University, 1998.
• Catya Plate, “1001 SMELLS: A Smelly Affair at the Bronx Museum of Arts”, The Aroma-Chology Review, Vol.VII, No.1, 1998.
• Bill Arning, “XVII Annual Artist in the Marketplace Exhibition”, TimeOut New York, Issue 99, August 14-21, 1997.
• Joan D’Arcy, “Barrett House’ ‘New Directions’ shows best range, style”, Daily Freeman, Preview, page 8-October 31, 1997.
• “Artist in the Marketplace Seventeenth Annual Exhibition”, Exhibition Catalog, The Bronx Museum of the Arts, 1997.
• Anthony Floreno, “Market Brief”, Chemical Market Reporter (Flavors & Fragrances), Schnell Publishing Company, Inc., New York, New York. Volume 252 No.7, August 18, 1997.
• Traci Kampel, “Tribeca stakes a claim as working artist haven”, The Villager (Arts & Entertainment), New York, New York. July 9, 1997.
• Owen McNally, “It’s art, all over the place”, The Hartford Courant (Arts/Entertainment), Hartford, Connecticut. June 1, 1997.
• Andrew J., “Arts by Andrew”, The Prisoner, London, England. Volume 1, Issue 4 1995.
• Stephanie Brown, “Publications quarterly; Artists’ Books”, Artists Newsletter, London, United Kingdom. February 1995.
• Iain Gale, “Sound Ideas”, The Independent, United Kingdom. November 12, 1993.
• “Holiday Flyer 1991”, Printed Matter, New York. December 1991.
• Catya Plate, “So soll ich meine Zahlen schreiben”,Artist Book, Printed Matter, 23 pages, 22 b&w illustrations, New York, 1991.
• P. Kushner, “Behind the Velvet Ropes”, Manhattan Cable TV, New York. March 1990.
• W. Krüger, “Eine Interessante Mischung von Künstlern in der Studio Galerie” (“An Interesting Variety of Artists at the Studio Gallery)”, Kölner Stadtanzeiger, Köln, Germany. May 1987.
• Amine Haase, “Kölner Kultur Noten” (“Köln Cultural Notes”), Kölner Stadtanzeiger,Köln, Germany. April 1987.
• M. Schmidt, “Catya Plate-Malerei” (“Catya Plate-Paintings”), Wuppertaler Rundschau, Wuppertal, Germany. November 1985.